Observing the paint unfolding, connections and interactions only visible with the i mind.
Finally, I had the opportunity to see the paintings done in the RV hanging together, and not remotely all. A selection of works from different periods, from the black and white series of 2000-10 to the color ones of 2011-13, and from the two years immersed in the RV_5404 to the glass sculptures from 20012 until now.
An intense immersion selecting works and reorganizing them, flowing without history behind, simply going where they lead me, now.
Another amazing of Quain-Support photographed by Julie.
Moving to a new studio, meeting the healer and artist into a place where to journeying in love and creativity.
Keep updating soon with pics from site and moments.
Paper, Ink, Charcoal, Pencil, Afternoon, Thankful.
Curious Pimpollo, smelling glass. Glass on glass. 2018
Walnut and Sumi ink on paper, 4in by 9in. 2018
From the series Spirit/Life
Ink and toner on newsprint, 36" x 24". 2016
Drawing from the RV5404
Pencil, time, charcoal on sketchbook, 2018.
Charcoal, pencil and time on sketchbook, 2018.
The less I interfere, the more I can observe what it is.
Often we talk with a friend about how we sometimes do works or write things that look or sound disconnected or unrelated and then -months later, years later we see the connection.
This drawing is from the beginning of last year, not long ago in fact but points in the direction of the new works. The oval is open, seems tangled or is it untangling?
As Einstein said, "The most beautiful experience we can have is the mysterious. It is the fundamental experience that is in the cradle of true art and true science."
For now is where I rather stop writing and be, in that mystery. May the work itself be true art or perish.
Looking between files on the hard drive, photo of an ink made a year ago on the RV5404, good memories.